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But given a chance, I'll probably see this. But Adams now has no real librettist, the words culled from original sources were not written to be sung, and the unsatisfactory result as Tommasini describes it doesn't surprise me. Adams's early success "Nixon in China" had a proper librettist, Alice Goodman, who actually wrote the words so that they could be sung, with Sellars in the background (as Svengali?). According to Anthony Tommasini, the music has virtues but the libretto - assembled rather than written by Peter Sellars - is a problem. She was a member of prestigious young artist programs such as the Merola Opera Program of San Francisco Opera, Ravinia Festival, and Florida Grand Opera."Girls of the Golden West" has been premiered in San Francisco, and I expect Peter Gelb will eventually bring it to the Met. Lee received her Bachelor of Music degree in vocal performance at Seoul National University, Diplom at Dresden Musik Hochschule, Master’s degree at Mannes College of Music, and Artist Diploma at Indiana University. During her college years, she was a recipient of DAAD scholarships and Career Bridge Grants.
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She won the second prize in Shizuoka International Opera Competition, the third prize in Maria Callas International Music Competition, the third prize in ARD International Music Competition, the audience prize in YPO/Florida Grand Opera National Voice Competition, and first or second prizes in South Korean competitions, such as Dong-Ah, JoongAng, Nanpa and KBS Music Concours. She was a finalist in BBC Cardiff Singer of the World, representing South Korea, and a semi-finalist in the Metropolitan Opera National Council. Hye Jung Lee boasts of winning numerous awards and competitions. Lee was invited as a guest soloist with Tucson Chamber Artists Chorus and Orchestra for Carl Orff’s Carmina Burana. Cecilia Orchestra and Chorus at Isaac Stern Auditorium in Carnegie Hall. Past orchestral engagements include Mozart’s Mass in C Minor and Bach’s Weihnachts-Oratorium with St.
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She was a member of San Francisco Opera’s Merola Young Artist Program, where she performed as Giannetta in L’Elisir d’Amore, conducted by Martin Kats.Īs a concert and recital artist, she enjoyed performing in a variety of venues, such as Carnegie Hall, Seoul Arts Center, and Lotte Concert Hall in South Korea. While pursuing her artistic diploma at Indiana University, she performed in various productions such as Adele in Die Fledermaus, conducted by Constantine Kitsopoulos, and Sophie in Der Rosenkavalier, conducted by David Effron. Elsewhere, she has made house debuts with Dutch National Opera in Amsterdam as Ah Sing in Girls of the Golden West, with Saarländisches Staatstheater, Saarbrücken as Königin der Nacht in Die Zauberflöte, with New Zealand Opera as Madame Mao in Nixon in China, with Dayton Opera as the Queen of the Night in the English version of The Magic Flute, as well as role debuts as Papagena in Die Zauberflöte, Lisa in La Sonnambula with Florida Grand Opera, directed by Renata Scotto. As a frequent guest at San Francisco Opera, she performed Fiakermilli in Arabella, conducted by Marc Albrecht, Ah Sing in the world premiere of Girls of the Golden West, composed by American composer John Adams and directed by Peter Sellars, Olympia from Laurent Pelly’s new production of Les Contes d’Hoffmann under the baton of Patrick Fournillier, and Madame Mao in Michael Cavanagh’ production of Nixon in China led by Lawrence Renes. Lee performed various roles: Contessa di Folleville (Il viaggio a Reims), Lucia (Lucia di Lammermoor), Adele (Die Fledermaus), Rosina (Il Barbiere di Siviglia), Drusilla/Amore (L'incoronazione di Poppea), Elvire (La muette de Portici), Gilda (Rigoletto), Königin der Nacht (Die Zauberflöte), Susanna (Le Nozze di Figaro), Ortlinde (Die Walküre), Amor (Orphée et Eurydice), Woglinde (Das Rheingold), and Zerbinetta (Ariadne auf Naxos). During her years at Theater Kiel as an Ensemble member, Ms. Lee will perform Zerbinetta (Vorspiel zu Ariadne auf Naxos), Lauretta (Gianni Schicchi), Norina (Don Pasquale), Sandrina (La finta giardiniera), among others. As a new member of the Ensemble of Badisches Staatstheater Karlsruhe for the 2021–2022 season, Ms. Korean Soprano Hye Jung Lee, praised by The New York Times as “the most striking singer” among soloists of the evening and for her “sweet and focused” voice with “considerable power,” is enjoying an exciting and diverse career.